Zitat:Its taken a few years for Metal Church mainman Kurdt Vanderhoof to unleash the second CD from his prog-rock alter ego Presto Ballet, but here it is, titled The Lost Art of Time Travel (soon to be released on ProgRock Records). If you dug 2005s excellent debut Peace Among the Ruins, with its 70s prog meets pomp bombast & melody, then this sophomore release will certainly scratch that itch you might have for some vintage sounds. Though its safe to say that those Kansas, Styx, Yes, Genesis, Spocks Beard, Deep Purple, Aviary, and Ambrosia influences run amok throughout The Lost Art of Time Travel, thats by no means a bad thing, as Presto Ballet make no bones about recreating their version of classic hard driving prog, complete with soaring vocals, vintage keys, catchy melodies, and blistering guitar work.

As far as keyboards go, theres even more Hammond organ, Mellotron, and synths this time around, as the songs seem less based on guitar riffs and more on the keys. Opening cut "The Mind Machine" is a rampaging near 11-minute gem, Vanderhoofs guitar riffs laying the groundwork for some splendid Hammond & synth melodies, the arrangement complex yet highly melodic, Scott Albrights vocals soaring over the top. Ryan McPherson, along with Vanderhoof, provide a wide assortment of keyboard textures throughout this piece, making it one hell of a symphonic prog opener to this CD. "Thieves" has a distinct Yes-meets-Dream Theater feel, Kurdts guitars having a heavier punch here, complemented by Hammond and Israel Rehaumes sinewy bass grooves. Albrights high pitched yet poignant vocals really shine on this one, sounding like a cross between Todd Rundgren, Jon Anderson, and James LaBrie. The short acoustic pop of "Youre Alive" provides a quick break from the bombast, but shows the bands ability to write a quick & catchy tune (too bad Styx cant write tunes like this these days!). The guys lurch back into hard-edged symphonic prog on the albums epic 14-minute extravaganza "One Tragedy at a Time", which kicks off with some bouncy grooves, Mellotron washes, fluttering synths, majestic Hammond, and melodic riffs. Over the course of this one, Presto Ballet takes you on a wild journey, with plenty of time and meter changes, as they go from quirky prog, to aggressive hard rock, to all out orchestral bombast. McPhersons Hammond work is pure gold on this one, and lets not forget the tricky drum work of Bill Raymond, who really shows his skills on this lengthy piece. Progressive metal meshes with majestic Yes styled prog on the excellent "Im Not Blind" (again, that Hammond Ryan, that Hammond!), and the band throws in a fanstastic, complex rocker with "Easy Tomorrow", featuring wild interplay from all the members, McPhersons nimble piano and husky Hammond providing the perfect foil to Kurdts crunchy riffs and Rehaumes thick bass grooves. Albright also impresses here, as he handles the heavier parts as well as the softer sections, showing great versatily and range. Final track "Haze" is a dreamy, lush piece, Mellotrons and acoustic guitars providing the landscape for Scotts intoxicating vocals. Rehaumes elastic, Chris Squire-ish lead bass lines and some Moog synth melodies are just the icing on the cake on this prog masterpiece, a must hear for lovers of the early 70s scene.

No offense to Metal Church, as I know its the band that brings in much of Venderhoofs earnings, but Presto Ballet is where its at. The Lost Art of Time Travel is killer prog rock from start to finish, a perfect homage to the great sounds of the 70s, yet with a modern twist. Now, if we can only get this band at some of the US Prog Festivals the world will be a better place!

padrak schrieb:Gbuddah und malde koennen da aber ziemlich sicher was mit anfangen.

padrak schrieb:Meins auch nicht, deswegen auch eine fuer mich "billige" Praesentation

Gbuddah und malde koennen da aber ziemlich sicher was mit anfangen.